Groupshow Keep Your Eyes Peeled AFF Galerie
Apr
26
to Apr 28

Groupshow Keep Your Eyes Peeled AFF Galerie

›Keep Your Eyes Peeled‹ ist ein Ausstellungsprojekt der AFF Galerie und findet in unregelmäßigen Abständen zu bestimmten Kunsthighlights in den Räumen der Galerie statt.
Während des diesjährigen Berlin Gallery Weekends wird eine Gruppenausstellung mit Arbeiten der AFF-Fotograf*innen sowie ausgewählten Künstler*innen aus dem erweiterten Umfeld der Galerie zu sehen sein.

Fotografie ist heute ein Medium, das unseren Alltag wie kaum ein anderes durchdringt – als Kommunikationsmittel, Erinnerungsträger, Dokumentations- und Beweisstück, zur Selbstvergewisserung, als Forschungsgegenstand, Notiz und selbstverständlich auch als Kunstwerk. Bilder werden aufgenommen, füllen unsere Festplatten, leuchten auf den diversen Screens auf und setzen sich in unseren Gedanken fest. Die Apparatur, das Smartphone, die Kamera, der Datenträger, oder auch die WLAN-Übertragung geschehen meist im Hintergrund und wir durchdringen deren Vorgänge innerhalb der Bildproduktion nicht. Wir sind umgeben von einer Vielschichtigkeit der Bilder, die unser Sehen und Erleben derart prägen, dass der verschachtelte Alltag teilweise erleichtert, aber auch umso undurchdringlicher erscheint.

Die AFF Galerie setzt ihr Ausstellungsformat ›Keep Your Eyes Peeled‹ fort, um auf Entwicklungen und Tendenzen zeitgenössischer Fotografie zu reagieren. Eine kuratierte Auswahl an Bildern wird in einer kurzen Ausstellungssequenz, temporär, an einem gemeinsamen realen Ort (die Galerie) zurückgeführt.

Teilnehmende Künstler*innen: Julia Autz, Philipp Czampiel, Ronja Falkenbach, Florian Bong Kil Grosse, Dana Rabea Jäger, Maren Katerbau, Maidje Meergans, Saskia Reis, Sarah Straßmann, Franca Wohlt, Louisa Boeszoermeny, Miji Ih, Michael Schäfer, Estefanía Landesmann, Anya Tsaruk, Vedad Divovic, Anastasia Khoroshilova, Marlene Charlotte Limburg, Andrea Gjestvang , Lydia Hansen, Vedad Divovic, Bob Jones, Mario Heller, Marco Leitermann, Kristina Miller, Sophie Kirchner, Lukas Städler, Eva Gjaltema, Lena Engel, Robin Hinsch, Sergio Belinchón, Mirjana Vrbaški, Oskar Schlechter, Anika Spereiter, Milan Koch, Maxi Pfeil, Efi Longinou, Jana Stein, Raphael Helmut Schmitt, Aimilia A. Theofilopoulos, Sandra Köstler, Marco Vedana, Vladimir Unkovic, Sitara Thalia Ambrosio, Simone Karl, Sina Niemeyer, Werner Amann

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ALONE TOGETHER: CRITICAL MASS 2023 TOP 50   CURATED BY DANIEL BOETKER-SMITH
Feb
24
to Apr 13

ALONE TOGETHER: CRITICAL MASS 2023 TOP 50 CURATED BY DANIEL BOETKER-SMITH

  • COLORADO PHOTOGRAPHIC ARTS CENTER (map)
  • Google Calendar ICS

The Colorado Photographic Arts Center (CPAC) and Photolucida are thrilled to announce the exhibit Alone Together: Critical Mass 2023 Top 50 at CPAC’s new space in Denver, February 23 – April 13, 2024.
 
“For years, I’ve wanted to bring Critical Mass to Denver,” said Samantha Johnston, CPAC Executive Director & Curator, who also served as one of the 2023 Critical Mass jurors. “With our new, larger space, it’s finally possible for us to bring this important international exhibition to Colorado. We are humbled to be the only gallery in the U.S. to have this honor.”  
 
The show is special for two reasons, Johnston says.
 
“First, the photography is world-class. Every artist in the Critical Mass Top 50 deserves a solo exhibition,” she said. “Second, Colorado is home to a thriving community of photographers, many of whom aspire to be successful at the international level. The Critical Mass exhibition is an opportunity to see – up close and in person – a selection of photographs that 200 influential art-world professionals think is worth exhibiting, publishing, and collecting.”
 
What kind of photographs can visitors expect to see in Alone Together? While subjects and styles vary, the common thread is “alone-ness” – not to be confused with loneliness, says Curator Daniel Boetker-Smith, Director of the Australian Centre for Contemporary Photography. His selection includes one image from each of the Top 50 artists’ portfolios.
 
“For most photographers, the act of making an image, the moment itself, is one of ‘happy solitude’ (to borrow from Raymond Depardon). Photography gives us the opportunity to embrace alone-ness, in that moment a split second of silence, a decision, an intake of breath and the release of the shutter. Simultaneously photographs always exist in a state of flux, they do not exist in isolation, they oscillate through space and time being read, re-read and interpreted. The photographer, the subject, and the photograph itself are all alone together or somewhere in-between.
 
Each photograph in this exhibition provides space for you to ponder, to observe and to be alone in your thoughts. In doing so I ask you to occupy a spot in front of each image, pause, and consider the space each image provides, what does it mean to you? Where does your mind go when you consider the alone-ness presented here?”

Learn more: cpacphoto.org/alone-together
 

EXHIBITING ARTISTS
 
Streetmax 21, Tracy Barbutes, Lynne Breitfeller, Jo Ann Chaus, Diana Cheren Nygren, Lynne Breitfeller, Cathy Cone, Leah DeVun, Jesse Egner, David Ellingsen, Santiago Escobar-Jaramillo, Argus Paul Estabrook, Marina Font, Adair Freeman Rutledge, Jesse Freidin, Eva Gjaltema, Zoe Haynes-Smith, Sarah Hoskins, Shao-Feng Hsu, Allison Hunter, Lauren Semivan & John Simon, Michael Joseph, Roshni Khatri, Kazuaki Koseki, Jaume Llorens, Simone Lueck, Krysia Lukkason, Aimee McCrory, Diane Meyer, Frankie Mills, Kevin Bennett Moore, Lisa Murray, Bob Newman, Lou Peralta, Walter Plotnick, Ann Prochilo, André Ramos-Woodard, Nathan Rochefort, Ruddy Roye, Mateo Ruiz Gonzalez, Claudia Ruiz Gustafson, Daniel Sackheim, Leah Schretenthaler, Lindsay Siu, Stephen Starkman (tribute), Jamey Stillings, Nolan Streitberger, Krista Svalbonas, Rashod Taylor, Grace Weston, and Michael Young.

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One of my images is part of Les Rencontres d'Arles Nuit de L'Année 15th Anniversary Screening
Jul
8
to Jul 9

One of my images is part of Les Rencontres d'Arles Nuit de L'Année 15th Anniversary Screening

Join us in Arles for the opening week’s Nuit de L'Année screening which features forty photographic proposals projected in loops onto large screens at the abandoned industrial site of the former Étienne paper mill. Our projection will celebrate our 15th Anniversary and includes 275 international artists chosen from our extensive archive and our 15th Anniversary open call for the 15-minute long video slideshow, containing six chapters. The images will come together to form new narratives through their juxtaposition, reflecting on all that we have achieved with our community over the last 15 years. Bringing together some of the festival’s favorite photographs, projects, and institutions, this great celebration of photography will feature performances, concerts, and DJ sets, with food trucks and bars on site. We hope to see you there!

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One of my images was part of 'Past & Present' from der Greif's anniversary event
Jun
16
to Jun 18

One of my images was part of 'Past & Present' from der Greif's anniversary event

Join us for “Past & Present”, a collaborative weekend-long celebration of our 15th anniversary in Pavillon 333 at Pinakothek der Moderne. We will be presenting “Contextualise” at Pinaktothek der Moderne, a rediscovery of the Der Greif archive through an interactive installation and artistic interventions from Friday, June 16 to Sunday, June 18, 2023. Admission is free, and the opening hours are as follows: Friday from 13:00 to 18:00, Saturday and Sunday from 10:00 to 18:00. In celebration of our anniversary and the spirit of interdisciplinary art, the Past & Present display embraces the power of diversity and change in our present moment. Visitors are encouraged to explore a selection from the extensive Greif archive and dive into submissions from our recent open call on the theme of "Past & Present" by arranging and rearranging the image materials, crafting new visual narratives or challenging existing ones. Responding to the results, we have invited Munich-based authors Mira Mann and Angela Aux to share their poetic interpretations through texts and public readings. Angela Aux will perform on Saturday the 18th at 11 am and Mira Mann will perform on the same day at 15 pm. Each day, you'll have the opportunity to take home the image cards used in the display for a small donation. The proceeds will directly contribute to our Guest Room Scholarship to support emerging artists. Don't miss this extraordinary event weekend! We look forward to welcoming you.

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PORTRAITS Hellerau Photography Award 2023
Mar
16
to May 2

PORTRAITS Hellerau Photography Award 2023

  • Dresden Technical Collections (map)
  • Google Calendar ICS

We cordially invite you to the upcoming vernissages of the PORTRAITS – Hellerau Photography Awards 2023!

Our now traditional exhibition venue is the rooms of the Dresden Technical Collections, which also house the extensive collection of the former municipal Museum for Photography. The vernissage of the finalist exhibition will take place here on March 16, 2023 – including the award ceremony (1st prize: EUR 5,000, 2nd prize: EUR 2,000, 3rd prize: EUR 1,000, Residency prize).

A day later, on March 17th, the first satellite exhibitions (N.N.) of the year open – and also, the solo exhibition of the new residency award winner (N.N.) at HELLERAU – European Center for the Arts.

Martin Morgenstern (DGPh)
Project Manager

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feature ARTDOC photography magazine
Mar
6
2:30 PM14:30

feature ARTDOC photography magazine

In Artdoc Magazine Issue #1 2023, we bring photographers who do not replicate the world but reshape it with concepts, abstractions, and visions. Daniel Gordon constructs paper-cut tableaux that transform reality. Shinya Masuda creates still lifes with decaying flowers and fruits, symbolising the passage of time. Nadezda Nikolova makes abstract landscapes with wet collodion plates, translating her spiritual experience in nature. Our exhibition, Conceptual Photography, is a collection of evocative and metaphorical images.

https://www.artdoc.photo/e-magazine/issue-nr-1-2023

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International Festival of Contemporary Collage Kaleidoskop Frauenmuseum Wiesbaden
Mar
5
to May 7

International Festival of Contemporary Collage Kaleidoskop Frauenmuseum Wiesbaden

Internationale, zeitgenössische Collage & Assemblage

Künstlerinnen aus aller Welt präsentieren Collagen und Assemblagen, die die Vielfalt aktueller Arbeitsweisen und Themen spiegeln.
Der Begriff 'Collage' (= 'Klebebild', von französisch 'coller' = 'kleben') meint die Technik der Bildenden Kunst, bei der durch Aufkleben verschiedener heterogener Elemente, z.B. fein ausgeschnittener Papierstücke oder anderer flacher Materialien, ein neues, zusammengesetztes Ganzes entsteht. Collageartige Klebebilde, welche aus den unterschiedlichsten Werkstoffen bestehen, waren bereits im alten Japan bekannt; hier wurden vor etwa 1000 Jahren Verzierungen in Form ausgeschnittener Bildsegmente auf Tuschezeichnungen appliziert.
Überträgt man die Technik der Collage auf dreidimensionale Gegenstände, so entsteht Assemblage.
Schnelllebigkeit und Hektik der modernen Gesellschaft lassen sich durch diese Verfahren hervorragend darstellen. Politische Ereignisse, kulturelle Strömungen, wirtschaftliche, künstlerische und gesellschaftliche Entwicklungen: Alles wurde und wird verarbeitet. Und durch den technischen Fortschritt, kamen auch immer mehr Motive und Mittel dazu.
Einige Künstlerinnen wollen, dass die verwandten Teilchen als solche erkennbar bleiben, um den Betrachtenden mehrere Bedeutungsvarianten zu ermöglichen, andere arbeiten in Schichten bis verschmolzene surreale Kompositionen entstehen.

Collagen
Aline Helmcke - Deutschland | Anna Bu Kliewer - Ukraine | Carmen Alvar - Spanien | Eva Gjaltema – Niederlande | Fernanda Porto - Brasilien | Ingrid Bittar - Brasilien | Justine Laeufer – United Kingdom | Lilly Helja Jonasson - Deutschland | María Elisa Quiaro - Venezuela | Maruša Stibelj - Slovenia | Natalie Huth - Deutschland | Norika Nienstedt - Deutschland | Olivia Descampe - Frankreich | Ovska - Polen | Riikka Fransila - Finland | Sarah Jarrett - United Kingdom | Saskia Reis - Deutschland | Simone Karl - Deutschland | Susana Blasco - Spanien | The Scissorhands - Deutschland
Assemblagen
Anne Misfeldt – Dänemark | Arianne Cristiel - Venezuela | Cara Louwman - Niederlande | Federica Gonnelli -Italien | Fernanda Porto – Brasilien | Juliette Pestel - Niederlande | Maria Arreb – Argentinien | María Elisa Quiaro – Venezuela | Nikki Ward - United Kingdom | Petra Grupp – Deutschland | Sandra Harnisch - Deutschland | Sarah Kamp - Deutschland.

http://frauenmuseum-wiesbaden.de

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Feature of my work 'Hiding/Hidden' @ Guest Room/Der Greif
Nov
10
to Nov 25

Feature of my work 'Hiding/Hidden' @ Guest Room/Der Greif

  • Der Greif e.V. c/o Whitebox (map)
  • Google Calendar ICS

Guest-Room

Guest Room is a monthly online exhibition with open submissions curated in real-time by personalities from the international photography scene

Guest Room aims to spark collaboration. Christoph Wiesner, head of the Rencontres d’Arles, has decided to collaborate with philosophy and photography graduate Aurélien Valette.

Together, they have developed the following framework for your submissions: “Close Encounters of the Third Kind”.

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Group exhibition 'Cartography of Care'
Oct
8
to Oct 29

Group exhibition 'Cartography of Care'

  • 151 London Road Edinburgh, Scotland, EH7 6AE United Kingdom (map)
  • Google Calendar ICS

Cartography of Care is an exhibition curated in response to the idea of an emotional atlas. It brings together the work of an international group of artist mothers working across a variety of disciplines to explore how we might map the human experience of caregiving. The exhibition considers the relationships between geographies, maps and emotions and traces the physical and interior journeys and landscapes of these artists: Artworks which explore how the experience of care can be physically mapped on the maternal body, in domestic space, in our relationships with ourselves, and in how we care for others in times of crisis.


Exhibiting Artists:

Adele Mary Reed / Catherine Reinhart / Charlene Scott / Chloë Marsden / Daphne Bennett / Dafne Salis / Diana Krilova / Eva Gjaltema / Francesca Ricci / Gemma Gore / Hannah Turner-Duffin / Jena Love / Jenny Mason / Jessica Jane Charleston / JingLu Zhao / Judy Dibiase / Juliette Berkeley /  Josie McCoy / Kate Cameron Reid / Kate Holcomb Hale / Kathryn Rodrigues / Kelsey Ashe / Lila Chatfield /  Lillian Chun Lillias Kinsman-Chauvet / Lucia Boaghe / Lucy Cade / Maura Jamieson / Michelle Gallagher / Nina Gerada / Olivia de Fleuriot Perry / Renata Fernandez / Rosie Barnes / Sally Kesterton / Sarah Buckius / Shannon Rae Fincke / Wang Chen / Yuko Edwards

Family Friendly preview October 8th 2-5pm. (All welcome, no need to book).

Exhibition continues 8th-29th October (Monday-Saturday 11am-5pm)

Above poster image: Juliette Berkeley; Crow and Mamie, from the Life and Songs of the Crow, oil on canvas.

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Honorable Mention (International Collotype Competition) Hariban Award 2022
Sep
6
to Apr 1

Honorable Mention (International Collotype Competition) Hariban Award 2022

I am extremely happy and proud to have received an honorable mention for the International Collotype Competition Hariban Award 2022 for my series ‘Hiding/Hidden’

An image of my submitted work will be printed and published within the official Hariban Award catalogue. The catalogue will be printed in collotype and hand-bound by traditional binders in Kyoto, Japan. The catalogue will be published in 2023

Presented by Benrido, the Hariban Award combines a 160 year old analog technique with contemporary photography. Glass plates have been used as the base for collotype printing plates which still continues today. The award is called “Hariban ” as “Hari” means glass plate and “ban” means printing plate in Japanese. Established in 1887, Benrido has specialised in the unique printing technique known as Collotype and today remains as one of only a few studios left in the world capable of making fine colour collotype prints.

https://www.benrido.co.jp/haribanaward/haribanaward2022-winners/

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Oct
1
to Oct 31

Publication of collages 'Die ferne Welt' in Berlin Collage Platform

  • 13 Huntestraße Berlin, Berlin, 14167 Germany (map)
  • Google Calendar ICS

This e-zine is the second issue of the zine created by the Berlin Collage Platform, a digital magazine in which we showcase the international collage scene of artists residing in Germany.

Through an Open Call on the theme “De/Re-construction”, we have selected all the wonderful artists and works you will feast your eyes on in the following pages.

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stayathome photo conversation at Getxophotofestival 2020
Sep
1
to Sep 30

stayathome photo conversation at Getxophotofestival 2020

I am happy to announce that my photo conversation with Raisa Galofre published online with stayathome.photography, is selected for an installation during the Getxophotofestival in Getxo, near Bilbao.

The festival will take place the 1st until the 27th of September

https://www.getxophoto.com/en/2020-edition/program/

https://stayathome.photography/conversations/eva-gjaltema-raisa-galofre

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Online Portfolio Reviews during Corona Times
Apr
17
to Jun 26

Online Portfolio Reviews during Corona Times

Since it’s currently not possible to continue my real life workshops in my studio, I like to offer online portfolio sessions in english, dutch or german for students or professional photographers who are looking for feedback for their projects.

Recently I had a review with Jensy and you can read her experience with me here:

Over a year ago I accidentally came across Eva’s website. Immediately upon seeing her work I felt a direct connection. Her style, the personal aspect of her work, felt like recognition. This connection was the reason why I decided to sign up for her online portfolio review session. Eva has reviewed one of my current projects in an accessible and professional manner. Not only has she given me various tips that have helped me on my way, but she has also encouraged me to dig a little deeper and keep experimenting to get even more out of my work. That Eva was well prepared for her portfolio reviews was clearly noticeable and in my opinion is a big plus. I experienced the online portfolio review with Eva as very pleasant and would definitely recommend it.

Book your review for €80 including VAT for 90 minutes at the ‘coaching and workshops’ section of my website!

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Oct
1
9:30 PM21:30

'The First Three Years' nominated for the Photobook Award Encontros da Imagem

PhotoBook Award

At a time when the photobook is becoming increasingly relevant, as a complex, intriguing and creative vehicle to promote narratives and anthologies, it is an intention of Encontros da Imagem to foster self-published authors and their body of work.
Therefore, the Festival invited authors to send in their photography books to be part of an exhibition in Braga taking place until the 27th of October.
Recognizing the growing importance of photography books, our goal is to be the channel that shows and exhibits original books in an event totally dedicated to that effect. Thus, the best books will be part of an exhibition that will be held in Braga during the festival. This is an excellent opportunity for them to be seen by a national and international public.
An international jury of professional experts will choose the best book that will be awarded author 500,00€ (five hundred euros). The winner and the second and third best books (honorable mentions) will be featured on Encontros da Imagem website, as in the other communication channels of the festival. 

 A jury composed by Erik Vroons (Editor da Gup Magazine) and Dieter Neubert (Diretor do Kassel Photobook Festival) elected the winner and two honorable mentions. 

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Hidden Guest
Nov
17
7:00 PM19:00

Hidden Guest

Exhibition, Music and Drinks at Ramboya Studio


Come and bring friends!

Live Sessions by Soar

Photography by Eva Gjaltema
and Birgit von Bally

Projections by Logi Hilmarsson and Hrafn Garðarsson
© Kisi Productions

In day and intoxication I wander. I am in that strength: the white, the white that smiles.

*
To my air you have come: a trembling, a vision! I know neither you nor your name. All is what it was. But you draw near: a daybreak, a soaring circle, your name.

*
A singer I wanted to be, to give the suffering day, give the happy a longing. A singer whose song would strike hard through the day.

And the word was nothing but sounds and light in my heart!

*
And all is the same dance: not to look, —
and to look: with the naked eye, to look in the eye! — clearly —
the hidden guest.

(from Resting Day 1922 by Gunnar Björling)

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review 'The First Three Years' at photographer.ru by Olga Bubich
Nov
6
8:30 AM08:30

review 'The First Three Years' at photographer.ru by Olga Bubich

“The First Three Years” is a book that being lost is normal, not afraid to be afraid, more terrible is to continue to deny fear. The void in the place of the figures cut from the photographs is temporary. Eva showed that it can be filled with other layers, to collect fragments of a torn reality into pictures of the new world. Poison can be a medicine, a collage - a symbol of a person who has become whole.

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one of my images from the series 'Patchwork' got selected by Diane Dufour for 'der Greif: Guest-Room'
Jun
21
1:00 PM13:00

one of my images from the series 'Patchwork' got selected by Diane Dufour for 'der Greif: Guest-Room'

DER GREIF

Der Greif promotes contemporary photography, featuring the work
of up-and-coming photographers and authors from around the world.
Guest Room is a monthly online exhibition with open submissions
curated in real-time by personalities from the international 
photography scene.

Diane Dufour

Curator - June 2018

Diane Dufour is director of LE BAL in Paris, an independent platform for exhibitions, publications, ideas and education, centered on the contemporary image in all its forms – photography, video, film and the new media – founded in 2010 with Raymond Depardon. Internationally famous for the quality of its exhibitions (Anonymous, Nameless America; Topographies of War; Antoine d’Agata, Anticorps; Paul Graham; Lewis Baltz, Common Objects, Provoke – Photography in Japan 1960 – 1975, etc.), LE BAL aims to combine the visual arts with reflections on society. Ms. Dufour has designed many books on contemporary photographers, including Mark Cohen, Dark Knees; Lewis Baltz, Common Objects; Dirk Braeckman, Sisyphe; Mark Lewis, Above and Below. She also started Curators’ Day, a project exchange platform including 30 European museums. She was head of Europe Magnum Photos from 2000 to 2007.

 

 

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Crowdfunding campaign for my publication 'The First Three Years'
Jun
13
to Aug 1

Crowdfunding campaign for my publication 'The First Three Years'

  • Eva Gjaltema Photography (map)
  • Google Calendar ICS

 

I am working on a limited edition publication called 'The First Three Years'

The book will eventually consist of 96 pages and be printed at 140 x 180 mm format. The three projects: 'Sehnzucht', 'Sehnzucht: The Remix' and 'Interconnection' will be interspersed with short texts in six small chapters. I have been working on my first publication for some months now, together with graphic designer Amanda Butterworth. Together with artist Saskia Overzee she has made the beautiful selfpublished book 'Collective Memory'. Amanda's style really appeals to me and we have had extensive talks about the possibilities of my projects in book form. Amanda has not made it easy for the printing office Unicum (Gianotten) by processing two Japanese pages and two leporellos in the book. The whole is sewn, Swiss bound and printed on high-quality paper. By making a small edition of 250 I want to be able to offer a unique and high-quality object.

If you like to support me, please have a look here:

https://www.voordekunst.nl/projecten/7447-the-first-three-years-1#

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Postcard Salon, an exhibition experiment
Mar
2
to Apr 21

Postcard Salon, an exhibition experiment

Inspired by alternative exhibition formats, possibilities of the gallery space and our flier table that gets a lot of love - our first group exhibition of 2018 will be a ‘Petersburger Hängung’ of postcards, presented on multiple tables throughout the gallery.

To all artists working with photography, video and any lens based or related media, we are providing the opportunity to be part of this experimental exhibition.

Entries close: Wednesday 31st January 2018
Vernissage: Friday 2nd March 2018
Exhibition: Saturday 3rd March 2018 - Saturday 21st April 2018

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Motherhood Unveiled
Feb
3
to Mar 3

Motherhood Unveiled

  • Stitches and Pics ATTN: Stephanie Shively (map)
  • Google Calendar ICS

Motherhood Unveiled

Curated by Stephanie Shively

"Motherhood Unveiled" presents images that represent “mom” in an all encompassing manner- the good, the bad, the funny, the gross, the heartbreaking, and the triumphant sides of motherhood.

Featuring work by Sarah Ann Austin, Sarah Boccolucci, Marisa Chafetz, Francesca Cesari, Michelle Lee Delgado, Deanna Dikeman, Kristin Dillon, Amanda Driggers, Eva Gjaltema, Annie Hodgkins, Megan Hosmer, Judi Iranyi, Megan Jacobs, Danielle Khoury, Isabel Kiesewetter, Victoria Maidhof, Lily Mayfield, Lindsay McCarty, June Sanders, Annick Sjobakken, Ellen Skoro, Shannon Smith, Vivien Stembridge, Dana Stirling, Alyssa Willey, Tara Wray, and Taylor Yocom

"Motherhood Unveiled" is an online exhibition, as well as an physical exhibition at Stephanie's gallery, Stitches and Pics, in Sackets Harbor, NY.

 

 

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Made in Berlin
Sep
2
to Sep 16

Made in Berlin

I will show a selection of photocollages from my series 'Berlin: Collages'

@ Made in Berlin

Group show during Berlin Art Week

 

For the first time I will present them as large format prints.

Come am have a look for yourselves!


Vernissage: Saturday September 2nd 18:00- 24:00

Finissage: Sunday September 16th 18:00- 24:00

 

Location:

Toscana Halle

Neumagener Strasse 25

13088 Berlin-Weissensee

www.madeinberlin.eu

 

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Wiesbadener Fototage
Aug
26
to Sep 10

Wiesbadener Fototage

My work 'Sehnzucht:The Remix' is selected for the '10. Wiesbadener Fototage'.

The work will be shown in the 'Frauenmuseum' in Wiesbaden.
 

Die 10. Wiesbadener Fototage vom 26.8. bis 10.9.2017

Thema der Wiesbadener Fototage 2017

"insight"

Die eingereichten fotografischen Arbeiten sollen die Gedanken der Fotografen sichtbar machen und Einblicke in ihre Lebenswelten und Themen mit der jeweils eigenen Bildsprache geben. Die Herausforderung besteht darin, Gedankenwelten, innere Bilder oder biographische Elemente dem Betrachter nahe zu bringen.

 

Festivalbüro - Wiesbadener Fototage

Reinhard Berg - Herderstr.22

D 65185 Wiesbaden

phon: 0611 300429

mobil: 0173 3014770

Email: Lichtbild1@t-online.de

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Kontrapunkt @ 48st Neuköln
Jun
23
to Jun 25

Kontrapunkt @ 48st Neuköln

Texture in the realm of shadows

Groupshow 'Kontrapunkt' for the '48-h-Neukölln' festival from the 23rd untill the 25th of June 2017 in Berlin


Ana Bathe | Peter Ehrentraut | Aino Onia | Eva Gjaltema | Ivano Pellechia | Doreen Trittel

Originating from personal shadows, the artist group “Kontrapunkt” steers the view upon socially and politically relevant shadows. In the ambient light they illuminate texture within these shades. “Kontrapunkt” consists of six artists from different countries with their own experiences and means of expression: photography, installation, painting and words. The artists hit their particular gloomy roads and venture boldly and curiously into darkness. Thereby the artists’ different methods create a transition and elevate these shadows into the spotlight.

Place:

Das Labor, Fuldastr. 56, 12043 Berlin

Opening Times:
Fr 19 - 23 Uhr | Sa 14 - 22 Uhr | So 14 - 19 Uhr

I will sell a limited edition of 30 from 3 different poster motives for €75 only!
 

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Solo Show 'Famylje', Berlin
Jun
16
to Aug 26

Solo Show 'Famylje', Berlin

The family of the Dutch photographer Eva Gjaltema comes from the Westerkwartier,
a rural area on the border between the Dutch provinces of Groningen
and Friesland, where they have been active for generations in agriculture and
raising livestock. In 2004, shortly after the death of her father, Gjaltema began to
record the lives of her grandparents, in order to preserve the family’s history,
but also to show a way of life that was dying. Using various techniques and
cameras, she expresses feelings of love, sorrow, anger and powerlessness.
For this she draws on her own images, but also documents and photographs
from the family archive and the new owners of the land. The result is a dialogue
between generations, and an ode to a way of life symbolic of the whole
countryside of the Northern Netherlands.

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